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Products
used in guerilla marketing are evolving as the method of reaching
consumers grows in popularity. Be wild but clean up after yourself might
be the evolving motto.
Wild postings can now be printed on static-cling material that comes down
as easily as it goes up, leaving no impressions except the desired
ones--on the eyeballs of consumers.
To find out how to get your client’s message posted in the most unlikely
spaces, read on.
This is one in a Media Life series on buying the new out-of-home venues.
They appear weekly.
Fast Facts
What
Ads printed on unique static-cling posters and distributed as a form of
wild posting or guerilla media.
Who
Alt Terrain,
headquartered in Boston.
How it works
Ads are
produced on static-cling material and posted in guerilla fashion in areas
that are often traditionally restricted from media.
They’re
called static-cling posters or stickers.
Static-cling
posters are made of a thin plastic material that holds a strong static
charge so that they will adhere to any flat surface for an extended period
of time. Brick, wood and cold
metal are all usable surfaces. If
left untouched they can remain on the surface for several weeks or even
months without leaving any residue.
Most static-cling programs are placed without authorization throughout
metro markets and college campuses on poles, walls, kiosks, construction
site walls, student lockers and in restrooms.
MSN8 launched in New York City in a blaze of butterflies that
appeared on buildings, storefronts, statues and subway exits.
The flocks, comprised of 17,000 static-clings, appeared over a
12-hour period and included a trail that lead consumers to Central Park
for a kick-off concert. The
New York Times and 166 other papers covered the butterfly barrage.
TV news in 50-plus markets also caught it.
The cost to Microsoft for littering?
A $50 fine issued by New York City.
Typically cleaning crews or consumers remove static-cling stickers six to
12 hours after they’re posted, says CEO Adam Salacuse.
They make great office and apartment art, Salacuse says.
“About 10 percent are collected and re-used, depending on what
creative is used.”
Advertisers provide
creative. Creative can be interactive.
“For instance, you can write on each one.
Use them as bracket sheets for a b-ball game.” Salacuse says.
Essential
creative elements include color, using die-cut images when possible and
presenting several different images in one campaign, Salacuse says.
If the
advertiser has a well-known symbol or logo, it often can be used.
In the case of MSN, the butterfly is their symbol.
Alt Terrain put them in flocks and let them fly all over the city.
Off-the-shelf
sizes are 11 inches by 17 inches and five inches by six inches, but
posters can be printed in any size and cut into any shape.
Posters
are die-cut into the shape of products and logos.
Creative
placement is an essential item in the creative plan, Salacuse says.
“Sometimes an overall media plan ties back into the creative
concept and the placement is what will make the campaign stand out.”
Posting
ads on top of competing companies’ posters is one of the hottest
branding tools on the streets targeting young adult consumers.
Static-clings are perfect because they only highjack the ad space
for a short period of time, Salacuse says.
Branding
and new product launches including events, new TV shows, movie premieres
and video games targeting young adults are the primary uses of
static-clings.
Alt
Terrain recommends using several media pieces and marketing channels with
static-clings to bring the advertiser’s message to the public’s
attention. Static-clings are
almost always part of a larger marketing effort, Salacuse says.
“It all goes together. It has everything to do with creative and
implementation of what you’re doing in conjunction with the other pieces
of the campaign. The whole is
better than all the parts put together.”
Campaigns
often take place across multiple markets.
Advertisers
are typically large, national companies.
Markets
Static-clings
are available in the top 25 metro markets and on large college campuses.
In
Northeast and Midwest markets it’s best to implement campaigns in the
spring, summer and fall, Salacuse says.
How
measured?
On
average, static-cling posters provide 350 to 850 impressions over a six to
eight hour period, Salacuse says. Market
placement is a factor.
When
consumers collect and display them, exposure is increased.
What product
categories do well?
Anything
from magazines to movies to tech does well, Salacuse says.
“It’s B to C, or business to consumer rather, than business to
business.”
Demographics
The
program can be designed to be relevant to any age. Specific
consumer groups can be targeted by location.
“To reach certain demographic profiles
static-clings can be placed in certain neighborhoods frequented by that
target,” Salacuse says.
Making
the buy
Lead-time
is 30 days from approval of creative.
Factors
that affect cost include size of poster, number of pieces, number of
markets and any variables in the execution of the campaign.
“For example, putting up 17,000 posters in one night costs
more than posting 17,000 over a period of two weeks,” Salacuse says.
Cost
range from $2.99 to $4.99 per piece for production and placement.
A
minimum order is 5,000 pieces, which can be spread over three markets.
There is no maximum order.
Who’s
already on static-cling stickers?
“Since
we classify static-cling posters as guerilla media, we keep our clients’
work confidential,” Salacuse says. (See
the attached illustrations.)
What
they’re saying
“This
is one component of what guerilla media is all about. It can be placed in locations that are unreachable for other media. Consumers know the difference between
traditionally placed media
and guerilla-placed media. They
know that the type of placement lends to the personality of the brand and
that cooler companies or brands go against the grain and do something
maybe not so legitimate and that lends to the credibility of certain
brands. The message stands
out. Media that’s
guerilla-placed stands out ten times more than traditional media.”
- Adam Salacuse, CEO of Boston-based Alt Terrain
Web
site info
Alt
Terrain at www.altterrain.com
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