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Tim Goodman is the
longtime TV critic for the San Francisco Chronicle and a
well-regarded writer on the failings and foibles of the television
industry. Like so many of us, Goodman watched last Sunday's Super
Bowl as much to see this year's parade of TV commercials as to watch
the matchup between the Carolina Panthers and the New England
Patriots. Goodman talks to Media Life about those ads.
How did anticipation for this year’s ads
compared to previous years? Do you think it met expectations?
I think there's always anticipation,
but after this year there's going to be a whole lot less of it next year.
The commercials bombed and the people knew it.
What was surprising about this year’s ads?
Two things: the level of raunch and the
lameness.
I'm no prude, but people were offended. But I was offended by
how stupid they were. If you're going to go crude, there ought to be a
payoff, and there just wasn't.
Anybody who thought a farting horse was funny has been in a
closed room with other unfunny ad writers for too long.
What ad was so bad it was good?
Maybe the Lays ad with the elderly folks brawling for
the bag. Even that really failed to ignite much laughter, though.
Was there a breakthrough ad, good or bad?
There was definitely no breakthrough ad. That gave
the whole day this feeling of cumulative failure. I'd vote the NFL Network
ad the best, but in a good year it probably would have been in the middle
of the pack -- appropriate, clever, funny, but not genius.
Who should have used the $2.3 million it cost to buy
time during the game to create a better spot?
Almost all of them.
Bud Light needs to rethink its account. Then again,
maybe it hit the target audience and moved product. That's the bottom
line.
Critics mean nothing if there's a profit involved. But still,
terribly unfunny and sophomoric.
What is it with Super Bowl ads and animals?
Animals are a cheap laugh or a sentimental rouse.
They always end up the butt of the joke, though their place was taken by
women this year.
Who would win in a battle between Pepsi’s
disguise-wearing bears and Coke’s stargazing polar bears?
No question, Coke. Those Pepsi
bears are tired. Pepsi needs to find a new animal.
Most of the ad discussion has been about the
funny – or rather, not so funny – commercials. Do ads that don’t use
humor get lost in the shuffle, like the Monster montages? Why do people
expect Super Bowl ads to be funny?
I think the Monster.com ads were pretty cool,
atmospheric -- they evoked a mood.
But that just falls flat at the Super Bowl. People want
funny. Sentimental works well, though. It's like it cuts the comedy,
leavens the day. I'm thinking about the Bud ad with the donkey who wanted
to be a Clydesdale. People remembered it.
What was harder to watch, the first quarter of the
game or Mike Ditka in ads for Levitra?
At least with Cialis you knew that a four-hour
hard-on was a possibility. With Ditka, you were just going to "get in
the game."
Levitra needs to spell it out a little bit. And throwing a
football through a tire is stupid. So, what, you get an erection and an
improved passing arm? Dumb.
What will shake out from the whole Janet Jackson
spectacle?
Album sales. And maybe one head rolling at MTV. Let's just
hope there's not an overreaction and we get "Up with People" again.
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