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Your
client on
buildings, writ large
Wraps with huge
messages (and you can see out)
Kathy Prentice
Ad-wrapped skyscrapers, enormously
visible to automobile and pedestrian traffic, are a standard outdoor
medium in many major markets. Two
innovations are changing the ways they’re used.
New material that
is undetectable from the interior side has provided an opportunity to wrap
high-end and specialized properties.
Clustering wraps on
buildings surrounding a stadium or arena is providing an opportunity for
total branding of events and their sponsors.
To find out how to get
your client’s message wrapped around prime property, read on.
This is one in a Media
Life series on buying the new out-of-home venues.
They appear weekly.
Fast Facts
What
Innovations are changing the
way building wraps are used.
Who
For this article, Media Life
spoke with Jax, headquartered in Hawthorne, Calif., and Bold Outdoor
Media, headquartered in San Francisco.
How it works
Images are printed on a
variety of materials, including X-TEX™ from Jax, which is invisible from
the inside of the building.
Traditional wraps are
made of perforated vinyl or mesh, depending on what material they are
applied to. Wraps are applied to portions of office buildings, sports
venues, convention centers, airports, atriums, shopping malls and
storefronts.
Jax's new
application is applied in 20 square feet to 20,000-plus square feet images
on glass and other transparent surfaces with the advertising image visible
on the outside and invisible from the building’s interior, says COO
Peter Donnelly.
Bold Outdoor Media is in
the forefront of clustering traditional vinyl wrap ads on buildings in one
market to promote an event or product.
“What we’ve
found is that there are a lot of rogue advertisers invading events, so
we’re focusing on creating a clean zone by utilizing units at and around
an arena or event to create a community atmosphere that fans walk
through,” says Dave Reich, vice president and director of sales.
For Saturday’s NBA (National Basketball
League) All-Star game in Atlanta, Bold Outdoor installed a 4,000 square
foot NBA branding message at the entrance to Philips Arena and a 7,500
square foot message on the Omni Hotel. Additionally, four NBA sponsors installed wraps in nine nearby
locations, including a construction site.
Images, logos and text
can be used.
Creative is usually
provided by the advertiser. Media
companies will often provide a mock-up of what existing creative will look
like in wrap format.
A well-known logo or image by
itself works well, Donnelly says. “For
instance, a company like Microsoft could picture their butterfly and
everyone would recognize it.”
Some advertisers choose
a several-thousand square foot image with their logo or signature at the
bottom or edge.
Images often reflect the
venue, Reich says. For the
All-Star game the NBA chose to commemorate the history of basketball. Advertisers like Nike, Reebok and American Express utilized the
images of players to promote their products during the campaign, which
launched a week prior to the game and will remain up for two more weeks.
Jax X-TEM is a two-color
application on the exterior and invisible or undetectable from the
interior.
Color
combinations that are currently available through Jax are silver and blue
or silver and purple.
“Two limitations to
the technology are that it’s a 12-hour application, not 24-hour, and
it’s two color,” Donnelly says.
“But our two-color is also an advantage when high-end properties don’t want
in-your-face four-color ads and find that our two-color product can be
integrated, often elegantly, into the architecture of the building.”
Perforated
vinyl applications can be photo-quality four-color images. From the inside the wrap creates a light tinted effect, which
doesn’t block the view. “You look through as if it’s tinted
glass,” Reich says.
Weather is not a factor
in wrap use. “We installed
HotJobs at the Javits Center when the temperature was 33 or 34 degrees and
it was snowing,” Donnelly says.
Perforated vinyl
can be installed in 40 degrees plus weather. Wind can be a deterrent during installation, but not once the wrap
has been applied.
Branding is the primary
goal of advertisers using building wraps.
Advertisers using the
application on locations like airports and convention centers are
primarily national brands, Donnelly says. Signage on individual businesses like car dealerships is going to
appeal to regional and local advertisers.
Markets
Jax is currently
in New York,
Los Angeles and Rome with Atlantic City soon available.
Bold Outdoor Media is in
Atlanta and New Orleans as well as in East and West coast markets.
How measured?
JAX uses a
combination of measurement tools, according to partner Chris Donnelly. They start by using TAB data along primary and secondary arteries
and adjust it for non-illumination, the basic difference between a 12-hour
and an 18-hour measurement. Other
traffic, specifically pedestrians in high-volume areas near convention
centers, is then factored in to come up with a DEC (daily effective
circulation) estimate.
Quality of
impressions is also factored in, according to Donnelly. To do this, Jax looks at the size of the image and subsequent
increase in viewing time from a standard billboard. They also look at the audience, because their applications are often
at locations like convention centers where a specific demographic group is
more easily targeted than in general out of home.
Attendance and tourism
figures can be used to quantify exposure during the type of event-centered
campaigns that Bold Outdoor Media is producing.
What product categories do
well?
Anything that works well for
traditional outdoor will work with this medium, which was launched during
the dot.com heyday.
Jax won’t do
tobacco or firearms, or in some cases alcohol, Donnelly says. Building owners may place prohibitions on categories.
Demographics
Targeting a demographic is
similar to any outdoor application, Donnelly says.
Making the buy
Jax: Lead-time is four to six
weeks with creative in hand. Three-month installations are minimum, unless
the ad is for an event like the Super Bowl, Donnelly says.
Factors that affect cost
include size of installation, location and complexity of the image. Volume decreases cost.
Production of
installations in the 200 square feet range cost approximately $30 per
square foot. Larger images, up
to 2,500 square feet cost $23 per square foot.
The cost decreases with the size of the image and increases with
the complexity, Donnelly says.
Jax does production,
installation and removal. Installation
and removal costs are in addition to production prices.
Bold Outdoor Media: Lead-time
varies from market to market and in some cases depends on what permits
must be acquired prior to installation.
One-thousand square foot
installations are minimum. There
is no maximum.
Factors that
affect pricing include size, length of campaign, market and location. Installation and removal are in addition to production costs.
Who’s already on building
wraps?
Sirius, HotJobs.com, Rome
International Airport, NBA, Nike, Reebok and American Express are recent
advertisers.
What they’re saying
“It is an unusual and
interruptive way to reach people. Media
that is unusual and relevant is of interest to HotJobs. Because the space is at the (Javits) convention center we feel that
besides reaching job seekers, we are also reaching corporate decision
makers. Many conventions are
HR related or have C-level executives at them. Keeping our name in front of these people in a venue that is
convention-focused is important.” – Marc Karasu, vice president of
advertising and marketing for HotJobs.com
Web site info
Jax at www.jax.net
Bold Outdoor Media at www.boldoutdoor.com
Etc.
Ads on the rear windows of
taxicabs and on sunglasses are also applications for X-TEM from Jax.
February 10, 2003© 2003 Media Life
-Kathy Prentice writes about out-of-home advertising for Media Life, penning
her stories from the resort town of Traverse City, in the upper reaches of
Michigan.

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