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Put
your client
in a New York taxi
Or plaster him on
the outside for everyone to ogle
Kathy Prentice
Taxis continue
to be an attractive out-of-home option for advertisers targeting
passengers traveling for business and pleasure, both inside in the
passenger area and on the exterior.
Since Media Life last wrote a
taxi round-up 18 months ago, there are some new players in New York City,
the taxi capital.
To find out how to get your
client on the outside or inside of taxis, read on.
This is one in a Media Life
series on buying the new out-of-home venues. They appear weekly.
Fast Facts
What
Static, moving and interactive
ads placed on the outside and inside of taxicabs.
Who
For this update, Media Life spoke
with Targeted Media Partners, headquartered in New York City and Adapt
Media, also headquartered in New York.
How it works
Advertising options include wraps
and digital displays on taxi exteriors.
Fixed, full-motion and
interactive video are available on interior screens.
INTERIOR:
Three levels of advertising are available on the interior
screens:
- Static images run full-screen until passengers use the interactive
feature to research advertisers like restaurants and movie theaters.
Once the content window is engaged, advertisements are resized to 2/3
size.
- Video is interspersed with static ads.
- Interactive ads include an on-screen button for taxi passengers to
press for connection to further on-screen information.
"For
instance, GM runs a Hummer ad, and the passenger can press on the
screen logo to open up an area including how much it costs,
horsepower, all the features," says Corey Gottlieb, president of
Targeted Media Partners.
Advertisers can change copy throughout the day.
"They
can have two types of creative, one for morning and one for evening,"
Gottlieb says.
Content sponsorship is also
available.
Full-screen ads are interspersed with
news, weather, sports, guides to New York’s movies, plays, restaurants
and nightlife.
"A drop-down menu lists every hotel, restaurant and bar in
the city," Gottlieb says. "We carry everyone’s listings, like
the Yellow Pages."
Businesses can tie their ad into the listing by
having a button window to display their menu or a map.
"The 13-minute loop
corresponds with the average ride time in New York City," Gottlieb
says.
The loop is continuous and not
tied into the cab door opening, Gottlieb says. Screens are 12.1 inches.
Any length of video can be run
within the 13-minute format. Many advertisers choose to run their standard
30-second creative, Gottlieb says, though some are developing new
creative. "Static, flash, motion, sound, animation--we develop any
type of ad they want.
"The beauty is that
advertisers can include as much content as they want," Gottlieb says.
" They can buy an interactive window to show store locations. It just
depends on what they’re trying to do with their campaign."
The advertising loop might start
off with a standard 30-second commercial, then go to a PSA, and then to a
static or flash ad, Gottlieb says. "It’s not talking to you
constantly."
There are two basic loops –
morning and evening – that are switched at 5 p.m. when taxi drivers
change shifts.
An on-screen mechanism for
selling tickets to Las Vegas shows is in the works in that city, Gottlieb
says.
"Riders will see all the shows that are available, then touch
the screen, swipe their card and buy tickets." And in Chicago there
are plans to run a welcome-to-the-city message, as well as tourism information at
the beginning of the loop.
"The beauty of this is that
nobody can turn the commercial off," Gottlieb says. "You can’t
channel surf."
National advertisers outnumber
local and regional, and Gottlieb expects it to stay that way.
Maximum separation on the video
loop is provided to competing advertisers.
EXTERIOR:
The New York Taxi &
Limousine Commission also gave the thumbs-up a year ago to Adapt Media
to place its "adrunners" atop city cabs.
Each 60-inch, double-sided
display contains a computer and a Global Positioning System (GPS)
receiver, enabling it to display ads in precise locations.
The time and temperature are
automatically displayed on each unit.
Ads can be targeted for display
when a taxi enters a pre-determined location. For example, a financial
institution could flash its ad downtown with the ad changing to a
software company when the taxi travels in a convention-center zone.
Ad display can also be time-targeted. For instance, restaurants can display their hours, locations and
specials during mealtimes and brokers can display stock quotes during
trading hours. Locations can also be targeted or citywide.
Content is decided by
advertisers. For instance, when ESPN runs a campaign, sports scores will
likely be run during its time allotment.
When several advertisers are
sharing the network or loop, each campaign is shown in blocks of two to
three minutes, says Lance Goler, sales manager of Adapt Media. However, there is no set
standard for the loop and it can be configured to meet advertisers’
needs.
Category exclusivity is always
provided, Goler says.
Advertisers buy time on all the
cabs in a fleet, but the geographic location where their ad is displayed
can be designated.
National companies comprise the
largest share of advertisers, though some local advertisers use the
displays.
Advertisers use the displays as
stand-alone campaigns as well as part of a media mix, Goler says. "In
the case of ESPN we fit so well into their strategy that we were one of
their only buys in outdoor, along with a couple of big billboards to
update sports scores. On the other hand, when the lottery is launching
Mega Millions, they use us as part of a bigger campaign."
Creative is provided by the
advertisers.
The display is made up of one LCD
screen and one LED (Light Emitting Diode) on each side. The LCD screen is
15 inches by 15 inches and displays logos and graphics. The LEDs are ultra-bright displays, which automatically alter their intensity to allow
sunlight readability.
Messages flash, they don’t
scroll. The LCD screens are full-color and the LED displays contextual
messages in lights.
The text messaging could tie into
a promotion or be a call to action," Goler says. "It can run the
gamut from streaming information to generic branding."
Markets
Interactive video screens in taxi
interiors are currently available through Targeted Media in New York City.
Chicago and Las Vegas will both be online within six months, Gottlieb
says.
Taxi-top displays are currently
available through Adapt Media in New York City. They’ll be launching in
Boston and Philadelphia first quarter, Goler says.
Numbers
How measured?
Passenger numbers are provided by
each cab company.
Additionally, screen touches are
counted for interior ads. "After three weeks (since the launch) out
on the streets of New York, we’re averaging 1,000 plus touches per
screen per day," Gottlieb says.
Pedestrian traffic estimates can
be calculated into taxi top numbers.
What product categories do well?
Restaurants, bars, entertainment,
lodging, airlines, museums. "I can’t think of something that wouldn’t
work," Gottlieb says. "The rule is it has to be tasteful
advertising that a customer would be comfortable viewing with a
five-year-old child."
"TV stations are using us to
promote fall sweeps with time-sensitive commercials and interactive so
passengers can find out what’s on tonight," Gottlieb says.
Cigarettes are excluded.
On the taxi-top, displays for
entertainment, retail, fast food, financial services, pharmaceuticals,
media and travel do well, Goler says.
Wraps work especially well for
tourism, financial, consumer electronics and entertainment, including
theater, Gottlieb says.
Demographics
"We know it’s an upscale
demographic," Gottlieb says. "They can afford to take a taxi in
New York instead of riding a bus or the subway. We also know it’s a
slightly younger audience out at night."
Making the buy
Adapt Media is provider of
adrunner taxi top displays.
Lead time is 48 hours from when
creative is submitted.
Advertisers can purchase the
network exclusively or a slot of the "shared network."
Factors that affect pricing
include how much time is bought, how many vehicles and which locations are
targeted as well as length of the campaign.
Targeted Media Partners is
provider of interior screens and exterior wraps.
Lead-time for interior screens
can be as brief as a day, Gottlieb says.
Packages include:
- Basic package is 30 seconds, without sound, broken up into any
combination of segments that the advertiser requests. The cost is
$10,000 for a four-week flight.
- Dynamic package is the same as the basic, but including sound. The
cost is $11,500 for 100 cabs for four weeks.
- Interactive package runs 30 seconds of creative plus an interactive
window at $14,250.
- Real-time interactive package includes all features of other
packages plus the ability to update in real time. For example,
airlines can update arrival and departure times and gates and
financial institutions can update interest rates, Gottlieb says. The
cost is $16,250.
- Broadcasters package is all of the above plus the addition of a loop
that can add real-time updates. For instance, an update can advertise
what’s going to happen on a television episode that’s going to air
a few minutes after the ad runs. The cost is $20,000.
Creative development is available at additional cost.
Lead-time for wraps is three weeks. Cost
is approximately $2,000 per wrap.
Who’s already on and in taxis?
American Express, CBS, hotjobs,
Fox News, Apple & Eve, North Fork Banks, Toufanan Bakeries, NY 1 News
and Shecky’s are inside cabs.
The New York State Lottery, NBC,
MTV, VH1 and MSNBC are on taxi-top displays.
Web site info
Targeted Media Partners at
www.targetmediapartners.com
Adapt Media at www.adaptmedia.net
Etc.
Links to previous Media
Life out-of-home articles, Taxi! Taxi! I have a message for you! Parts 1
and 2, April
16 and April
23, 2001
Updates:
Jerry Kutner at TaxiVision
reports that they are currently in 500 cabs in Las Vegas and planning
expansion into other U.S. markets.
Vert is alive and thriving, shipping out
their third generation of taxi top displays, primarily to markets in
Europe.
October 7, 2002 © 2002 Media Life
-Kathy Prentice writes about out-of-home advertising for Media Life, penning
her stories from the resort town of Traverse City, in the upper reaches of
Michigan.

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