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Putting your client where the boys are TV screens in mall arcades and theater lobbies By Kathy Prentice Video ads are showing up almost everywhere that people wait—in elevators, airports and grocery stores. The latest hot venue is at entertainment outlets, such as game arcades, theater lobbies and movie rental stores, with advertisers often targeting young consumers with loose change in their pockets and a surprising amount of disposable income, notably boys. To find out how to get your client in front of consumers seeking leisure time activities, read on. This is one in a Media Life series on buying the new out-of-home venues. They appear weekly. Fast Facts What Full-motion video advertising delivered via television screens in entertainment venues targeting a specific demographic. Who Channel M, headquartered in Los Angeles. How it works Ads are full-motion video with sound. Length can vary from 15, 30, 45 and 60 seconds, with 30-second spots the most common. Three venues are available. Ads can be bought in mall-based video arcades, theater lobbies and Blockbuster video outlets. Advertisers can buy one or more of the venues. “What they have in common is that each is an entertainment network,” says Eric Hebel, Channel M vice president and co-owner. “An advertiser can buy all three. It depends on the demographics. Teens are in arcades, spending their leisure time. Theatergoers are in the mind-set to relax and enjoy entertainment, and Blockbuster visitors are there to rent a movie or video game,” he adds. “The goal is to reach every person in a venue at least once,” Hebel says. The average time that individuals spend in each type of location—arcades, theaters and Blockbuster outlets—is used to determine how frequently an ad will be aired. Arcades are located in malls. Each arcade has an average of 10 screens. Ads in arcades run once every 40 minutes, with 80,000 exposures per four-week flight. Each set at a location runs the same program and ad loop. In theater lobbies, screens are found above the concession stand, near the box office, and wherever people are standing in line. “Sometimes the wait is 20 minutes for tickets or popcorn,” Hebel says. The size of screens and placement vary from a single 100-inch video wall to multiple standard-size screens scattered throughout a lobby. Ads in the theater lobby network run once every 20 minutes, with 280,000 exposures per flight. Blockbuster has an average of four to six screens per store, Hebel says. “It depends on the size and layout of the store and on the market. The sets are placed strategically so that no matter where customers are in a store they can see and hear one.” Ads in Blockbuster stores run once every 15 minutes. Entertainment segments vary with venue. “Content programming is tied into the demographic,” Hebel says. NBC develops fresh creative for each place-based campaign. “We know that what you put up on the screen has to have an extremely high entertainment value,” says Marla Goldstein, senior director of media planning for NBC. “If people see what they’ve already seen on their television, they’re going to be unhappy.” Creative can be the same copy that an advertiser uses for TV commercials. “It should be made to fit the demographic they’re trying to reach and be appropriate for the environment,” Hebel says. Arcade programming is aimed at 12- to 24- year-old males and includes music videos, sports footage and movie and sports trivia. “We use high energy music. Rap, punk,” Hebel says. “They don’t want to listen to slow music. It puts them to sleep. Unless it’s Britney Spears or Jennifer Lopez that we play because of the visual. ” Programs in arcades are two-hour loops played on average 11 hours per day. Ad frequency is 16.5 times daily. “The important thing about arcades is that in reaching young males it doesn’t get much better,” Hebel says. “They’re either at home playing video games or outside playing sports or at the mall in the arcade, the movie theater or the food court trying to pick up girls.” Theater-lobby programming is primarily movie trailers and music video clips. Movie studios don’t advertise in theater lobbies as they are already showing their previews inside on the big screens. Rolling stock—commercials on the big screens that run before the feature—can be bought at some theaters. Blockbuster uses movie trailers, behind-the-scene segments and trivia as programming. The same loops are run in every screen in a market. An advertiser has the option of sponsoring a program instead of running creative about its product. “The U.S. Army bought 30-second spots in arcades, and every half-hour there was an announcement that programming was provided compliments of the Army,” Hebel says. Promotions can be designed to complement screen ads in theaters and arcades and can include posters, coupon distribution, product sampling, sweepstakes and popcorn bags. Distribution of promotional items can be targeted to a segment of the moviegoing population. For example, coupons for sampling a kid meal or toy can be handed out only to customers buying tickets to G-rated films. To further refine the market, a Harry Potter item can be handed out only to visitors buying a ticket to the Harry Potter movie. Blockbuster receipts are printed with coupons. “Fast food and pizza go hand in hand with movie rentals,” Hebel says. Segment couponing, based on time of day, location or type of movie is also available. Product exclusivity varies among venues and is available in arcades and theater lobbies for a premium. Some locations are in long-term marketing agreements that provide exclusivity. For example, many arcades use Nintendo systems and don’t take ads for others. Regional as well as national companies use on-screen advertising. Advertisers can buy a region or the entire network. Markets
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Research
Making the buy October 29, 2001 © 2001 Media Life -Kathy Prentice writes about out-of-home advertising for Media Life, penning her stories from the resort town of Traverse City, in the upper reaches of Michigan.
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