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In
'Andy Dick,' an
MTV spoof of MTV
Mooks, poops, parodies at the network's expense
By Andrew Wallenstein The
always exceptional PBS documentary series "Frontline" topped
itself this week with "The Merchants of Cool," a fascinating
examination of how corporate America markets pop culture to teenagers,
particularly on MTV.
The 24-hour music channel (isn't that description
getting a bit antiquated considering how few videos the network plays?)
apparently shoehorns its stars into one of two molds.
All young women on
MTV are known as "midriffs" because of the sexually precocious
way they dress, especially in navel-baring tops. Think of Britney Spears as
their patron saint.
Men are known as "mooks," neo-Neanderthals
like Tom Green and Johnny Knoxville of "Jackass" who are equally
rude, crude and lewd.
As gender stereotypes go, "Frontline"
charges, MTV is perpetuating poor role models.
Well, "Frontline" probably won't
want to take a gander at MTV's newest mook, the appropriately named Andy
Dick. His imaginatively titled "The Andy Dick Show" (Tuesdays,
10:30-11 p.m. ET, beginning this past Tuesday) extends the burgeoning mook
genre to satire.
Which means that the usual mix of potty humor and
bleeped expletives is utilized in the service of skewering Hollywood clichés.
Unfortunately for Dick, he himself is
something of a Hollywood cliché: The comedian/actor has a real-life
history of drug and alcohol abuse that ended two years ago when he wrapped
his car around a utility pole.
After a stint at rehabilitation, he says he
is clean today, which has done nothing to curb his mile-wide obnoxious
streak. Given how deranged he seems, it is hard to imagine how much more
manic he could possibly be on any amphetamine drug.
His career highlights so far have been
unremarkable, playing fourth banana on extant comedies like NBC's "NewsRadio"
and Fox's "The Ben Stiller Show," the sketch comedy show on
which "Dick" is clearly modeled (sans ensemble cast).
Still, as
some memorable roles in pre-taped segments for the "MTV Video Music
Awards" indicate, he is at his best in satirical skits.
Smartly, the target of the very first
segment on "Dick" is himself, by way of a "Behind the
Music" parody.
He references his own troubled personal
history but takes a little creative license, showing himself doing bong hits
during an anti-drug public-service announcement and enjoying work in the
gay pornography business ("There was some good scene work, plus I got
to direct.")
A rather impressive array of actual
celebrities ranging from Stiller to "NewsRadio" co-stars like
Dave Foley and Maura Tierney, offer faux commentary on the comedian
like, "Five years on 'NewsRadio' with Andy was like 10 years in a
bamboo cage eating my own poop."
This being mook territory, poop and other bodily
functions are celebrated; Dick finds a way to spit or fart in nearly every
segment in the premiere episode. There's even some graphically altered
nudity used to hilarious effect in a send-up of trite football films. Dick depicts a coach who
insists his players practice naked. "This isn't about pants," he
bellows. "It's about teaching kids not to be afraid of winning!"
Put clothing back on those players, and the
film being parodied could be MTV Films' own "Varsity Blues." In
fact, the entire show is devoted to MTV laughing at itself. Dick makes fun
of network properties like Tom Green, Christina Aguilera and the "Scared
Straight" specials.
Given how MTV-mined satire also
appears in the boy-band sitcom "2Gether" and "Kathy's So
Called Reality," another recent addition to the MTV schedule featuring
another former NBC sitcom star in Kathy Griffin, the network is intent on
showing how it refuses to take itself seriously, which is a good thing.
If anything, "Dick" and
"Kathy" will come as comfort to Matthew Perry, the
"Friends" star who shocked Hollywood this week by reentering
rehab amid rumors of another round with non-prescription painkillers. If
and when his career bottoms out, MTV will probably make room for him.
Otherwise, there's always gay porn.
-Andrew Wallenstein is the television
critic for Media Life.

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