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CBS's
cozy faces
in too-familiar places
Masterson and Bateman
starring in tried and trite
By Andrew Wallenstein
As a haven for former
stars of teen comedies from the 1980s, CBS is aces.
But as to its success as a programmer of scripted series for the
midseason, the jury is still out.
The actors in question are Mary Stuart Masterson and
Jason Bateman, featured in the new CBS shows "Kate Brasher"
(Saturdays, 9-10 p.m. ET, beginning Feb. 24) and "Some of My
Best Friends" (Wednesdays, 8-8:30 p.m. ET, beginning this
Wednesday).
Masterson and Bateman are great nostalgia bait, but neither make for
mandatory primetime attractions.
Masterson is best remembered as a fetching high-school tomboy
from the 1987 cult favorite "Some Kind of Wonderful." She played
a tomboy drummer from the wrong side of the tracks, but you fell in love
with her anyway.
Now, at 35, she's making her first TV series appearance
in "Brasher," depicting a plucky single mom raising two
teenagers while struggling to make ends meet.
After impressing the right
people with the aforementioned pluck, she gets a job at a community
advocacy center where she spreads desperately needed sunshine to jaded
co-workers played by primetime veterans Hector Elizondo ("Chicago
Hope") and Rhea Perlman ("Cheers").
"Brasher" is poignant and female-friendly enough to serve
as a better lead-out than dying dinosaur "Walker Texas Ranger"
to the equally poignant and female-friendly "That's Life" at 8
p.m.
Whether viewers will stick around afterward is the real test, and
"Brasher" has an almost PAX-ish tone that clashes with the edgy
sensibility of 10 p.m.'s emerging hit "The District."
CBS begins promotional spots for "Brasher"
with the description "from the makers of 'Erin Brockovich,'" but
that's an understatement: The series outright borrows that Oscar-nominated
film's sexy working-class heroine formula. Also, nepotism alert: Perlman's
husband, Danny DeVito, is one of the principals of the production company
that brought "Brasher" to CBS.
CBS's other new series will start out on Wednesdays at
8 p.m., a tall order for any sitcom, especially the over-hyped
"Bette," which was stupidly scheduled there opposite ABC's
"Who Wants to Be a Millionaire?" when the season began.
Based on the independent film "Kiss Me Guido,"
"Some" chronicles the mismatched roommates of a macho Italian
dim bulb and a sensitive gay writer. The result is a tame fusion of
"The Odd Couple" and "Will & Grace."
My bet is that "W&G" is CBS honcho Les Moonves'
favorite sitcom. Why else would his network's development slate be so
crowded with gay-themed sitcoms?
Former "thirtysomething" star
Ken Olin just landed a comedy about a gay man who has to raise two
teenagers and Ellen DeGeneres has a sitcom vehicle for herself in 2001 as
well.
"Some" not only overdoses on gay-stereotype humor,
but Jews and Asians get zinged, too. However, another ethnicity gets it far
worse: The bigoted, narrow-minded, marble-mouthed chowderheads that pass
for Italians on this show make characters on "The Sopranos" seem
genteel by comparison.
What really fascinates me about "Some" is the casting of
Bateman (who plays the gay writer). If a nuclear war destroyed the world,
this guy would survive to keep the cockroaches company. He has at least
seven different sitcoms to his credit since breaking through on the NBC
hit "Silver Spoons" (1982-84), where he played a reincarnation
of Eddie Haskell to Rick Schroder's Wally Cleaver.
The height of Bateman's career was his brave
performance in the deeply moving update to Kafka's
"Metamorphosis" known as "Teen Wolf 2."
Fast-forward two decades later, and Bateman is back on
TV. Schroder stars on "NYPD Blue." He will be joined on the
force next season by Mark Paul Gosselaar, former pin-up from the
long-running teen series "Saved By the Bell." "Punky
Brewster" star Soleil Moon Frye is on "Sabrina, the Teenage
Witch."
These are strange times, my friends. I awake in
the dead of night and an urgent proclamation escapes my lips: "Come
back to TV, Kirk Cameron!" We need you now more than ever.
-Andrew Wallenstein is the television
critic for Media Life.

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