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Editing
Teen People
in a fast, adult world
Once-open
category is now hotly competitive
By Niharika Desai
Barbara O’Dair could be forgiven if she has mixed feelings about taking
over at Teen People.
On the one hand, it's easily one of the most successful new
magazines of the last several years.
On the other hand, O'Dair's predecessor, Christina Ferrari,
is a tough act to have to follow, having guided Teen People to
profitability with few of the stumbles that usually accompany a Time Inc.
launch.
What's more, today's teen category is very different from the
one Teen People launched into three years ago, with more and bigger
competitors grappling for a dwindling pool of untapped readers--and all
against the backdrop of a softening advertising market.
Given these factors, it's not surprising that O'Dair, who was
tagged as the new managing editor last week, is starting with modest
ambitions: to keep Teen People moving along the same path it has followed
so far.
"Christina has done
a wonderful job capturing teen concerns and the teen," she says of
her predecessor, who resigned in January to follow her boyfriend, former
Time Inc. editorial director Henry Muller, to Europe.
"I am going to build
on what she has done with the coverage of teen culture."
Though O’Dair’s last gig was a six month stint as executive editor
at Harper’s Bazaar,
she says getting into the Teen People mindset will be no problem.
"Pop culture has always been close to me. I don’t have any trouble accessing that part of myself,"
says O'Dair, who has also worked at Rolling Stone, Details, Entertainment
Weekly and US.
But sustaining Teen People's momentum may require more
than a working knowledge of boy bands. Paid circulation, which had been
steadily rising, backslid by 3.9 percent to 1.6 million in the
second half of 2000, according to the Audit Bureau of Circulations. That
includes a 10.3 percent drop in newsstand sales.
The stoppage in growth seems likely to be, at least in
part, a result of increased competition from other titles.
Before Teen People came along, the teen category was the
province of second-tier publishers: special interest publishers Primedia
and Petersen, which published Seventeen and Teen, respectively, and
women's magazine shop Gruner & Jahr USA, publisher of YM. (Teen is now
published by Emap USA.)
But the major magazine houses apparently found the success of
Teen People inspiring. Hearst followed in 1999 with Cosmogirl, a
young-teen spinoff of Cosmopolitan. Then, last fall, Conde Nast tested
Teen Vogue, with another test issue scheduled for the spring. This fall,
Hachette Filipacchi will debut Elle Girl.
Despite all the optimism, however, there are
indications that the ad picture for the category may be worsening.
Both YM and Teen suffered page losses in 2000 amid one
of the best advertising economies ever. And with the ad slowdown now in
full effect, 2001 remains a big question mark for teen titles as for other
magazines.
Teen People was up 12 percent in ad pages in 2000, with
1,044.32. Ad revenue for the title was up 41.2 percent to $67.3 million.
-Niharika Desai is a staff writer for
Media Life.

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