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It's
here, McWeek,
quick-chew news
Felix Dennis's
bits, snips and clips newsweekly
By Jeff Bercovici
When plans for The
Week were first announced, British publishing mogul Felix Dennis called it
"the only one of my periodicals I am certain will survive my own
death."
That’s an appropriately grand plug for a magazine whose motto is
"All you need to know about everything that matters."
But whether the new current-events title, which just launched, outlasts its patron, Dennis will more likely be remembered as the
man whose publications perfected the art--for want of a better word--of
info-humor blurb journalism.
Contrary to popular wisdom, Dennis’s best known
property, Maxim, owes its astounding success not so much to its generous
deployment of celebrity skin but rather to its
easily-ingested bite-size articles, charts and lists.
Go to the home of any Maxim subscriber and see where he keeps the
magazine.
Invariably, it’s next to the toilet. This is not just
because the bathroom offers privacy. Maxim is
designed to be read over a series of bathroom visits or, barring that,
commercial breaks.
Felix Dennis’s genius lay in realizing that this is
how most men prefer to consume their magazines. Forget all that business
of sitting in a leather
club chair, wrapped in a smoking jacket, sipping from a snifter of brandy
and enjoying the latest from James Ellroy.
The Week simply takes this lesson and applies it to the newsweekly
formula.
What you get is 40 pages of 50-200 word dispatches on
politics, international affairs, science, health, celebrities, sports and
culture, culled from over 100 different newspapers, magazines and web
sites, which are cited.
The longest article in the whole debut issue, a
briefing on livestock epidemics, clocks in at one page and answers the
questions: What are foot-and-mouth disease and mad cow disease? How much
damage have they done? What measures can be taken to stop them? What
danger do they pose to the U.S.?
In the ultimate gesture of editorial leanness, even the reviews are
borrowed from other publications; a write-up of "Along Came A
Spider," the new Morgan Freeman thriller, quotes film reviewers from Rolling Stone, the Boston Globe and the Philadelphia Inquirer.
That said, how does The Week live up to the promise of its motto?
Pretty well, as long as you don’t interpret either "all you need to
know" or "everything that matters" too stringently.
Not surprisingly, given its format, The Week’s rundowns of top stories—in
this case, the China/spy plane standoff and George Bush’s first budget—lack
depth.
Anyone who watches 10 minutes a day of CNN on the treadmill at the
gym won’t learn anything new, though a discussion of the estate tax in a
section titled "Controversy of the week" does a commendable job of
laying out the arguments, both for and against.
What The Week lacks in analytical rigor, however, it makes up for in
scope.
Even a well-informed citizen of the world might be surprised to
learn that Polish authorities have shut down a disco that opened a mile
from Auschwitz, or that Liechtenstein is in danger of being overrun by
wild boars from neighboring Switzerland.
But it is in the range of commentary sampled that The Week demonstrates
its true value. Every controversy is presented along with a summary of
opinions from leading editorialists and columnists.
The very best
department, "How they see us," provides a much-needed forum for
Americans to learn how their country’s actions are perceived abroad.
This week’s installment reveals that European writers are surprisingly
unanimous in their condemnation of Bush’s foreign policy.
When they were talking up The Week back in January, Dennis executives
suggested that the audience for the magazine would be top executives and
leaders who are too busy building companies and shaping public policy to
bother with magazines or cable news shows.
In reality, it will probably be its catering to short attention spans, not busy
schedules, that endears The Week to its readers as a way of staying
informed, forming an opinion and cutting through information clutter—and
all without leaving the bathroom.
April 18, 2001 © 2001 Media Life
-Jeff
Bercovici is a staff writer for Media Life

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