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With
'Robotica,' TLC
is on automatic pilot
Motto:
Life unscripted. Reality: Boring television.
By Andrew Wallenstein
If it were on the Sci-Fi
Channel, the techno-race showcase "Robotica" (Wednesdays, 9-10
p.m. ET, beginning last Wednesday) would make an adequate addition to its
primetime lineup.
But on the cable outlet TLC, the new series is another
indication of the network's growing identity crisis.
Note the brand name TLC. It's not The Learning Channel anymore.
Parent company Discovery Communications ditched "Learning" due to
its wonkish implications, leaving an inscrutable acronym.
Sure, there's Tender Love and Care, which might apply to the
network's cuddly daytime mix of reality shows about babies, weddings and
makeovers.
But what does that theme have to do with its
primetime hit "Junkyard Wars," which pits two teams against each
other in a contest to see who can build the coolest contraptions out of
spare parts?
And then there's "Robotica," an
obstacle-course competition between remote-controlled robots. The premiere
episode began airing immediately after a network-branding promo hailing
the dramatic "human" element of TLC. I can't think of a better
segue to a show about automatons.
Not helping "Robotica" either is its timing.
Comedy Central's eerily similar "Battlebots" has already been on
the air for a full season, and Sci-Fi is ready to unveil a "Robodeath"
special.
And just this week, Viacom announced the U.K. series "Robot
Wars" will be adapted for MTV, TNN and Nickelodeon.
Can you say "Roboglut?" If anyone tries to
remake "Tron" or "Short Circuit," call your local
Congressman.
What's bothersome about both "Robotica"
and "Battlebots" is their definition of robots. If you're
expecting those bulky behemoths from '50s monster movies, prepare to be
disappointed; picture your VCR on a pair of wheels, and that's your
typical cable TV robot. They may have names like "Mini Inferno,"
but they're about as fearsome-looking as your laptop.
Watching them maneuver through barrier-filled mazes
isn't as exciting as it sounds either. For all their ballyhooed
technology, they move with the grace of driver's ed students attempting to
parallel park.
And when these so-called robots are incapacitated, they
simply sputter to a halt. A ball of fire, or at least some sparks, would
make for a more dramatic demise.
Whoever years ago at "Dateline NBC" rigged a
pickup truck to explode (and ended up igniting controversy instead) is
probably out of work, and TLC might want to give that person a call.
To overcompensate for the lack of drama, there's a
beautiful set accompanied by pulsating music and lighting right out of
"Who Wants to Be a Millionaire."
Also supplying extra hoopla is
host Ahmet Zappa, who must coordinate the manic phase of his bipolar
disorder in time with "Robotica" tapings. His antic stylings
have also been on display for recent game shows on MTV and USA, and
neither lasted very long, yet somehow he keeps popping up.
"Robotica" should still prove to be a good
counterpart to TLC's "Junkyard," but who knows where this
channel is headed next. After all, this is a network where the motto is
"life unscripted," yet the biggest news at its upfront Monday
was its foray into scripted long-form drama.
Here's a suggestion for the new TLC name: Totally Lacking
Concentration.
April 9, 2001 © 2001 Media Life
-Andrew Wallenstein is the television
critic for Media Life.

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