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Some fresh faces
cited for mag awards


Among the first-time nominees is the Economist

Mar 15, 2007

In the annual naming of finalists for the National Magazine Awards, there's the usual contenders, among them the New Yorker and The Atlantic, and a smattering of obscure titles, and they're on this year's list as well.

But also on the list of nominees are first-time nominees, and they include magazines like the Economist, the respected British newsweekly, and The Columbia Journalism Review, which one might think would have been nominated many times before.

That list of first-time nominees also includes Best Life, Cookie, Metropolis, More, New Letters, Saltwater Sportsman, Seed and Wondertime. Interestingly, two of those magazines, Cookie and Wondertime, are parenting titles, at a time when that category is feeling the pinch of the internet.

The Economist is up for general excellence among magazines with circulations of 500,000 to 1,000,000, competing with Condé Nast Traveler, Esquire, Gourmet, GQ and Wired.

The Columbia Journalism Review, edited by Mike Hoyt, is up for best single-topic issue for "Into the Abyss: Reporting Iraq 2003-2006" in the November/December issue.

Among the repeat nominees, the New Yorker is again up for the most awards, nine, while Esquire and New York are up for seven.

Other multiple nominees include: The Atlantic Monthly (3); The Believer (2); BusinessWeek.com (2); City (2); Condé Nast Traveler (2); Field & Stream (4); Foreign Policy (2); Glamour (2); Gourmet (3); GQ (4); Martha Stewart Living (2); Mother Jones (2); National Geographic (5); Newsweek (3); O, The Oprah Magazine (2); The Paris Review (2); Rolling Stone (2); Seed (2); Slate (2); Time (2); Vanity Fair (4); The Virginia Quarterly Review (2); W (2); and Wired (2).

Below is a complete list of nominees as posted yesterday by the American Society of Magazine Editors. The 25 winners are to be announced May 1.

GENERAL EXCELLENCE

This category recognizes overall excellence in magazines in six circulation categories. It honors the effectiveness with which writing, reporting, editing and design all come together to command readers’ attention and fulfill the magazine’s unique editorial mission.

 

Under 100,000 circulation

Bulletin of the Atomic Scientists:   Mark Strauss, editor, for May/June, July/August, September/October issues.

 

I.D.:   Julie Lasky, editor-in-chief, for March/April, May, June issues.

 

Metropolis:  Susan S. Szenasy, editor-in-chief, for June, September, November issues.

 

Print:  Joyce Rutter Kaye, editor-in-chief, for March/April, July/August, September/October issues.

 

The Virginia Quarterly Review:   Ted Genoways, editor, for Spring, Summer, Fall issues.

 

100,000 to 250,000 circulation

 

Foreign Policy:  Moisés Naím, editor-in-chief, for May/June, September/October, November/December issues

Mother Jones:  Russ Rymer, editor-in-chief, for March/April, September/October, issues; Monika Bauerlein and Clara Jeffery, editors-in-chief, for November/December issue.

 

Philadelphia Magazine:  Larry Platt, editor, for September, November, December issues.

 

Salt Water Sportsman:   David DiBenedetto, editor, for February, October, November issues.

 

Seed:   Adam Bly, editor-in-chief, for June/July, November, December/January issues.

 

 

250,000 to 500,000 circulation

 

The Atlantic Monthly:   Cullen Murphy, managing editor, for January/February, James Bennet, editor, for September, December issues.

 

Audubon:   David Seideman, editor-in-chief, for March/April, May/June, September/October issues.

 

Cookie Magazine:   Pilar Guzmán, editor-in-chief, for September, October/November, December/January issues.

 

New York Magazine:   Adam Moss, editor-in-chief, for May 22, July 17, September 18 issues.

 

Texas Monthly:  Evan Smith, editor, for March, September, October issues.

 

 

500,00 to 1,000,000 circulation

 

Condé Nast Traveler:  Klara Glowczewska, editor-in-chief, for September, October, November issues.

 

The Economist:  John Micklethwait, editor, for September 9, October 28, December 23 issues.

 

Esquire:  David Granger, editor-in-chief, for July, September, November issues.

 

Gourmet:  Ruth Reichl, editor-in-chief, for April, August, December issues.

 

GQ:  Jim Nelson, editor-in-chief, for March, September, October issues.

 

Wired:  Chris Anderson, editor-in-chief, for August, November, December issues.

 

 

1,000,000 to 2,000,000 circulation

 

Entertainment Weekly:  Rick Tetzeli, managing editor, for June 30/July 7, September 22, December 29/January 5 issues.

 

Field & Stream:  Sid Evans, editor-in-chief, for May, October, December-January issues.

 

More Magazine:  Peggy Northrop, editor-in-chief, for February, June, October issues.

 

The New Yorker:  David Remnick, editor, for February 13 & 20, March 27, October 9 issues.

 

Rolling Stone:   Jann S. Wenner, editor and publisher; Will Dana, managing editor for May 4, May 18-June 1, November 16 issues.

 

 

Over 2,000,000 circulation

 

Glamour:  Cynthia Leive, editor-in-chief, for May, September, December issues.

 

Martha Stewart Living:  Martha Stewart, founder; Margaret Roach, editorial director, for March, July, December issues.

 

National Geographic:  Chris Johns, editor-in-chief, for May, November, December issues.

 

O, The Oprah Magazine:  Oprah Winfrey, founder and editorial director; Amy Gross, editor-in-chief, for February, July, November issues.

 

Time:  Richard Stengel, managing editor, for June 12, August 7, August 14 issues.

 

 

PERSONAL SERVICE

This category recognizes excellence in service journalism.  The advice or instruction presented should help readers improve the quality of their personal lives.

 

Bicycling:   Stephen Madden, vice president and editor-in-chief, for Project Jeremy, by Selene Yeager, October.

 

Field & Stream:   Sid Evans, editor-in-chief, for a four-part package, How they Survived: A Taste of Death by Keith McCafferty, Lightning Rod, by Dave Hurteau, Surprise Attack, by Hal Herring, How Sportsmen Really Die, by Keith McCafferty, July.

 

Glamour:   Cynthia Leive, editor-in-chief, for What No One Ever Tells You About Breast Implants, by Liz Welch, November.

 

Redbook:   Stacy Morrison, editor-in-chief, for You can save a woman’s life – just by asking her how she’s  doing, by Denise Dowling, October.

 

Wondertime:   Lisa Stiepock, editor, for Argue with Me! by Jay Heinrichs, Winter.

 

 

LEISURE INTERESTS

This category recognizes excellent service journalism about leisure-time pursuits.  The practical advice or instruction presented should help readers enjoy hobbies or other recreational interests.

 

Esquire:  David Granger, editor-in-chief, for Esquire’s Best Bars in America, June.

 

Golf Digest Magazine:  Jerry Tarde, chairman and editor-in-chief, for Total Improvement Issue, May.

 

Men’s Health:  David Zinczenko, senior vice president and editor-in-chief, for a three-part series, Your Perfect Summer: Part One— A New Path to Change, by Jim Thornton; Part Two—Your Breakthrough Season; Part Three—The Men Who Live Forever, by Christopher McDougall, July/August.

 

O, The Oprah Magazine:  Oprah Winfrey, founder and editorial director; Amy Gross, editor-in-chief, for Reading: A Love Story, July.

 

Wired:   Chris Anderson, editor-in-chief, for Second Life, October.

 

 

REPORTING

This category recognizes excellence in reporting.  It honors the enterprise, exclusive reporting and intelligent analysis that a magazine exhibits in covering an event, a situation or a problem of contemporary interest and significance.

 

Esquire:  David Granger, editor-in-chief, for The School, by C.J. Chivers, June.

 

Fortune:  Eric Pooley, managing editor, for The Law Firm of Hubris Hypocrisy & Greed, by Peter Elkind, November 13.

 

IEEE Spectrum:  Susan Hassler, editor-in-chief, for Re-engineering Iraq, by Glenn Zorpette, February.

 

Rolling Stone:  Jann S. Wenner, editor and publisher; Will Dana, managing editor, for Inside Scientology, by Janet Reitman, March 9.

 

Time:   James Kelly, managing editor, for One Morning in Haditha, by Tim McGirk, March 27; The Shame of Kilo Company, by Michael Duffy, June 5; The Ghosts of Haditha, by Michael Duffy, Tim McGirk and Aparisim Ghosh, June 12.

 

 

PUBLIC INTEREST

This category recognizes journalism that sheds new light on an issue of public importance and has the potential to affect national or local debate policy.

 

The Atlantic Monthly:  James Bennet, editor, for Declaring Victory, by James Fallows, September.

 

Best Life:  Stephen Perrine, editor-in-chief; David Zinczenko, editorial director, for Our Oceans Are Turning Into Plastic…Are We? by Susan Casey, November.

 

New York Magazine:  Adam Moss, editor-in-chief, for On the Rabbi’s Knee, by Robert Kolker, May 22.

 

The New Yorker:  David Remnick, editor, for three articles by Seymour M. Hersh, The Iran Plans, April 17; Last Stand, July 10 & 17; The Next Act, November 27.

 

Vanity Fair:  Graydon Carter, editor, for Rules of Engagement, by William Langewiesche, November.

 

 

FEATURE WRITING

This category recognizes excellence in feature writing.  It honors the stylishness, flair and originality with which the author treats his or her subject.

 

Esquire:  David Granger, editor-in-chief, for Sgt. Wells’s New Skull, by Brian Mockenhaupt, April.

 

Esquire:  David Granger, editor-in-chief, for The Loved Ones, by Tom Junod, September.

 

GQ:  Jim Nelson, editor-in-chief, for The Other Side of Hate, by Andrew Corsello, July.

 

The New Yorker:  David Remnick, editor, for Prairie Fire, by Eric Konigsberg, January 16.

 

The Paris Review:  Philip Gourevitch, editor, for In the Sandbox, by Glyn Vincent, Spring.



PROFILE WRITING

This category recognizes excellence in profile writing.  It honors the vividness and perceptiveness with which the writer brings his or her subject to life.

 

Cincinnati Magazine:   Jay Stowe, editor, for Is Bill Cunningham a Great American? by Kathy Y. Wilson, November.

 

National Geographic:   Chris Johns, editor-in-chief, for Murdering the Impossible, by Caroline Alexander, November.

 

New York Magazine:   Adam Moss, editor-in-chief, for Karl Lagerfeld, Boy Prince of Fashion, by Vanessa Grigoriadis, February 13.

 

The New Yorker:   David Remnick, editor, for He Knew He Was Right, by Ian Parker, October 16.

 

Vanity Fair:   Graydon Carter, editor, for A Face Only a President Could Love, by Todd Purdum, June.

 

ESSAYS

This category recognizes excellence in essay writing on topics ranging from the personal to the political.  Whatever the subject, it honors the author’s eloquence, perspective, fresh thinking and unique voice.

 

Foreign Policy:  Moisés Naím, editor-in-chief, for The First Law of Petropolitics, by Thomas L. Friedman, May/June.

 

The Georgia Review:  Stephen Corey, acting editor, for Russell and Mary, by Michael Donohue, Fall/Winter.

 

New Letters:  Robert Stewart, editor-in-chief, for The Beautiful City of Tirzah, by Harrison Fletcher, Winter.

 

The New Yorker:  David Remnick, editor, for Alice, Off the Page, by Calvin Trillin, March 27.

 

Smithsonian:  Carey Winfrey, editor-in-chief, for Living with Geese, by Paul Theroux, December.

 

COLUMNS AND COMMENTARY

This category recognizes excellence in short-form political, social, economic or humorous commentary.  The award honors the eloquence, force of argument and succinctness with which the writer presents his or her views.

 

Discover:  Corey Powell, executive editor, for columns by Bruno Maddox, Blinded By Science: When first we clicked, April; Blinded by Science: Who’s freaky now? October; Blinded by Science, How birding in Central Park in an age of terror makes the man, December.

 

Field & Stream:  Sid Evans, editor-in-chief, for three columns, by Bill Heavey, A Sportsman’s Life: Why Knot?, June; A Sportsman’s Life: Death and Fishing, August; A Sportsman’s Life: Dog Years, November.

 

Newsweek:  Jon Meacham, editor, for three columns by Fareed Zakaria, Iraq’s Dark Day of Reckoning, October 16; There’s One Last Thing to Try, October 30; Don’t Punt on the Troops Issue, November 20.

 

The New Yorker:  David Remnick, editor, for three columns by James Surowiecki, Printing Money, April 3; Through the Roof, May 8; The Fatal-Flaw Myth, July 31.

 

Vanity Fair:  Graydon Carter, editor, for three columns by Christopher Hitchens, Childhood’s End, January; The Vietnam Syndrome, August; Oriana Fallaci and the Art of Interview, December.

 

REVIEWS AND CRITICISM

This category recognizes excellence in criticism of art, books, movies, television, theater, music, dance, food, dining, fashion, products and the like.  It honors the knowledge, persuasiveness and original voice that the critic brings to his or her reviews.

 

The Atlantic Monthly:  James Bennet, editor, for three book reviews by Sandra Tsing Loh, Rhymes With Rich, May; Cheap Thrills, July/August; The Drama of the Gifted Parent, October.

 

GQ:  Jim Nelson, editor-in-chief, for three columns by Alan Richman, 2nd City No More, June;  Meals of Fortune, September; Yes, We’re Open, November.

 

Harper’s Magazine:  Lewis H. Lapham, editor, for Blood and Time, by Roger D. Hodge, February.

 

The Nation:  Katrina vanden Heuvel, editor and publisher, for three reviews by Stuart Klawans, Down These Mean Streets, October 23; The Tracks of My Tears, November 20; Coming to America! December 4.

 

The New Yorker:  David Remnick, editor, for three reviews by Alex Ross, American Sublime, June 19; The  Storm of Style, July 24;  Fervor, September 25.

 

MAGAZINE SECTION

This category recognizes excellence of a regular department or editorial section of a magazine, either front- or back-of-book and composed of a variety of elements, both text and visual.  Finalists are selected based on the section’s voice, originality, design, and packaging.

 

Condé Nast Traveler:  Klara Glowczewska, editor-in-chief, for its front-of book section Word of Mouth, May, August, October.

 

Esquire:  David Granger, editor-in-chief, for its This Way In section, June, November, December.

Esquire:  David Granger, editor-in-chief, for its front-of-book section Man at His Best, October, November, December.

 

Field & Stream:  Sid Evans, editor-in-chief, for its section Sportsman’s Notebook, September, November, December.

 

New York Magazine:  Adam Moss, editor-in-chief, for its Strategist section, June 12, July 24, December 11.



SINGLE-TOPIC ISSUE

This category recognizes magazines that have devoted an issue to an in-depth examination of one topic.  It honors the ambition, comprehensiveness and imagination with which a magazine treats its subject.

 

Backpacker:  Jonathan Dorn, editor-in-chief, for The Survival Issue, October.

 

The Believer:  Heidi Julavits, Ed Park, Vendela Vida, founding editors; Andrew Leland, managing editor, for The 2006 Music Issue, June/July.

Columbia Journalism Review:  Mike Hoyt, executive editor, for Into the Abyss: Reporting Iraq 2003-2006, November/December.

 

Departures:  Richard David Story, editor-in-chief, for The Latin Issue: South America 2006, October.

Newsweek:  Mark Whitaker, editor, for AIDS at 25, May 15.

 

DESIGN

This category recognizes excellence in magazine design.  It honors the effectiveness of overall design, artwork, graphics and typography in enhancing a magazine’s unique mission and personality.

 

The Believer:  Heidi Julavits, Ed Park, Vendela Vida, founding editors; Andrew Leland, managing editor, for June/July, September, December/January issues.

Gourmet:  Ruth Reichl, editor-in-chief; Richard Ferretti, creative director; Erika Oliveira, art director; for September, October, December issues.

GQ:  Jim Nelson, editor-in-chief; Fred Woodward, design director, for March, April, July issues.

 

New York Magazine:  Adam Moss, editor-in-chief; Luke Hayman, design director, for April 3, April 17, November 6 issues.

 

Outside:  Hal Espen, editor; Hannah McCaughey, creative director, for January issue; Christopher Keyes, Editor; Hannah McCaughey, creative director, for July, November issues.

 

Seed:  Adam Bly, founder & editor-in-chief; Adam Billyeald, deputy art director, for June/July, November, December/January issues.

 

PHOTOGRAPHY

This category recognizes excellence in magazine photography.  It honors the effectiveness of photography, photojournalism and photo illustration in enhancing a magazine’s unique mission and personality. 

 

Country Home:  Carol Sheehan, editor-in-chief; Mary Emmerling, creative director; Shelley Caldwell, art director, for February, April, June issues.

Gourmet:  Ruth Reichl, editor-in-chief; Richard Ferretti, creative director; Erika Oliveira, art director; Amy Koblenzer, photo editor, for September, October, December issues.

Martha Stewart Living:  Martha Stewart, founder; Margaret Roach, editorial director; Eric A. Pike, creative director; James Dunlinson and Joele Cuyler, art directors; Heloise Goodman, photography director, for January, July, December issues.

National Geographic:  Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for May, November, December issues.

W:  Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida, group design director; Bridget Foley, executive editor; Julie L. Belcove, deputy editor; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for June, September, November issues.

 

PHOTOJOURNALISM

This category recognizes the informative photographic documentation of an event or subject in real-time. Although photo essays accompanied by text will be eligible, they will be judged primarily on the strength of the photographs.

Aperture:  Melissa Harris, editor-in-chief; Yolanda Cuomo, art director, for Silhouettes: Muslim Women of the Middle East and Afghanistan, by Caroline Mangez, photographs by Alexandra Boulat, Winter.

 

National Geographic:  Chris Johns, editor-in-chief; David Griffin, senior editor, photography; Susan A. Smith, deputy director, photography, for The Heros, The Healing, by Neil Shea, photographs by James Nachtwey, December.

 

The New Yorker:  David Remnick, editor; Elisabeth Biondi, director of photography, for The Waste Land, by Robert Polidori, January 9.

The Paris Review:  Philip Gourevitch, editor, for Kibera, by Jonas Bendiksen, Winter.

 

Vanity Fair:  Graydon Carter, editor; David Harris, design director; Susan White, photography director, for The Vietnam Syndrome, by Christopher Hitchens, photographs by James Nachtwey, August.

 

 

PHOTO PORTFOLIO

This category honors creative photography and photo illustration. Although photo essays accompanied by text will be eligible, they will be judged primarily on the strength of the photographs.

 

City:  John McDonald, editorial director and publisher; Fabrice G. Frere, creative director and COO; Adriana Jacoud, art director; Sarah Greenfield, photo editor, for Penitentiary, photographed by Kenji Toma, March.

 

City:  John McDonald, editorial director and publisher; Fabrice G. Frere, creative director and COO; Adriana Jacoud, art director; Sarah Greenfield, photo editor, for White Heat, photographed by Horacio Salinas, April.

 

Details:  Daniel Peres, editor-in-chief; Rockwell Harwood, creative director; Liane Radel, photography director, for How TV Became Hollywood’s Leading Man, photographed by Michael Thompson, August.

 

Vogue:  Anna Wintour, editor-in-chief; Grace Coddington, creative director; Charles Churchward, design director; Danko Steiner, art director; Ivan Shaw, photo director, for Teen Queen, photographed by Annie Leibovitz, September.

 

W:  Patrick McCarthy, chairman and editorial director; Dennis Freedman, creative director; Edward Leida, group design director; Bridget Foley, executive editor; Julie L. Belcove, deputy editor; Nathalie Kirsheh, art director; Nadia Vellam, photo editor, for Welcome to the Motor City, by Bruce Weber, September.

 

FICTION
This category recognizes excellence in magazine fiction writing.  It honors the quality of a publication’s literary selections.

 

McSweeney’s:  Dave Eggers, editor, for Wild Child, by T.C. Boyle, April; To Sit, Unmoving, by Susan Steinberg, July; The Strange Career of Dr. Raju Gopalarajan, by Rajesh Parameswaran, September.

 

The New Yorker:  David Remnick, editor, for Once in a Lifetime, by Jhumpa Lahiri, May 8; My Parents’ Bedroom, by Uwem Akpan June 12; Something That Needs Nothing, by Miranda July, September 18.

 

Playboy:  Hugh M. Hefner, editor-in-chief; Christopher Napolitano, editorial director, for Suicide Watch, by Joyce Carol Oates, May; The Bad News, by Margaret Atwood, July; Willa, by Stephen King, December.

 

The Virginia Quarterly Review:  Ted Genoways, editor, for Ships in High Transit, by Binyavanga Wainaina, Winter; Wake, by Kevin A. González, Spring; Shepherdess, by Dan Chaon, Fall.

 

Zoetrope: All-Story:  Adrienne Brodeur, Francis Ford Coppola, founding editors; Michael Ray, editor, for The Boys at the Lab, by Margaret Atwood, Fall; El Ojo de Agua, by Susan Straight, Spring; Our Lady of Paris by Daniyal Mueenuddin, Fall.

 

 

GENERAL EXCELLENCE ONLINE
This category recognizes outstanding magazine internet sites, as well as online-only magazines that have a significant amount of original content.  Sites must also convey a distinct editorial identity and create a unique magazine environment on the Web.

 

Beliefnet.com (www.beliefnet.com):   Steven Waldman, co-founder and editor-in-chief

 

BusinessWeek.com (www.businessweek.com):   Stephen J. Adler, editor-in-chief

 

ESPN.com (www.espn.com):   John Papanek, senior vice president and editor-in-chief, ESPN New Media

 

People.com (http://www.people.com):   Mark Golin, editor

 

Slate (http://www.slate.com):   Jacob Weisberg, editor

 

 

INTERACTIVE SERVICE

This category recognizes an outstanding service feature on the web. The practical advice or instruction presented should either help users improve the quality of their personal lives, or should help them enjoy recreational interests. The category honors a site’s creative use of multimedia technology, user involvement, personalization and/or community tools, and must go beyond the simple display of text or images on a screen.

 

BusinessWeek.com B-School Channel (www.businessweek.com/bschools):   Stephen J. Adler, editor-in-chief

 

The Chronicle of Higher Education Careers (http://chronicle.com/jobs):   Phil Semas, editor-in-chief

 

Epicurious.com – Epi to Go 2.0  (http://www.epicurious.com):   Tanya Steel, editor-in-chief

nymag.com – Grub Street (http://nymag.com):   Adam Moss, editor-in-chief, New York; Ben Williams & Kelly Maloni, co-editors, nymag.com

 

Slate – Slate Green Challenge (http://www.slate.com/id/2151579/):   Jacob Weisberg, editor

 

 

INTERACTIVE FEATURE
This category recognizes an outstanding editorial web feature focusing on news, entertainment and other subjects that do not offer practical instruction. The category honors a site’s creative use of multimedia technology, user involvement, personalization and/or community tools, and must go beyond the simple display of text or images on a screen.

 

Mother Jones  “Lie by Lie” (www.motherjones.com/bush_war_timeline/):   Julian Brookes, editor.

 

National Geographic Interactive Edition – Antarctica (http://www7.nationalgeographic.com/ngm/antarctica/index.html):   Chris Johns, editor-in-chief

  

Nerve Film Lounge  (www.nerve.com/filmlounge):   Michael Martin, editor-in-chief

 

nymag.com – “Show & Talk” fashion week blog (http://nymag.com/):   Adam Moss, editor-in-chief, New York; Ben Williams & Kelly Maloni, co-editors, nymag.com

 

Newsweek.com – “The Boomer Files” (http://www.msnbc.msn.com/id/9925747/site/newsweek/):  Deidre Depke, editor   

 

 



Diego Vasquez is a staff writer for Media Life.




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