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Your client in video downloads A way to get products in front of consumers May 30, 2006
Watch those videos closely and notice the name-brand cars, clothes, jewelry and electronics in each scene. They didn't just fall from the sky. Their placements are calculated and deliberate. To find out how to get your client’s message embedded in a music video, read on. This is one in a Media Life series on buying the new out-of-home venues. They appear weekly. Fast Facts What Who How it works “Hands-on or featured use are the more desired placements,” says managing director Arden Doss. A successful placement is tied closely to the type of music video in which it appears. “There are genres--story, lifestyle and performance or concert--that lend themselves to different uses and applications,” Doss says. The goal is to find a music genre and performer that’s a fit for the product. “If a music video seems like it’s becoming an advertisement, we stop,” Doss says. “This is different than a commercial. The goal is to seamlessly marry a product that fits within the story being told or the lifestyle being communicated.” A factor in reaching a specific audience can be the type of screen on which a video is watched. “Television, computer and pocket mobile or iPod seem to be the three areas right now where people view and watch,” Doss says. The average length of a music video is three minutes, which is also the length of a song produced for radio, though some can run much longer, as in the case of Michael Jackson’s “Thriller,” which is 15 minutes. Advertisers work with a placement agency on an ongoing basis to arrange placements, and a product will often appear in more than one music video. For example, Bang & Olufsen’s television screens are integrated into a Moby and Gwen Stefani video “South Side,” Jennifer Lopez’s “Ain’t it Funny,” Pink’s “Family Portrait,” Usher’s “U Got It Bad” and Enrique Iglesias and Lionel Richie’s “To Love A Woman.” There are often multiple products placed in a video. For example, Moby featured three Propaganda GEM clients in one. When the celebrity status is high, the payback can be phenomenal. When Jennifer Lopez acted out purchasing a watch in one of her videos, for instance, the featured store fielded 10,000 inquiries. People wanted to know what brand of watch she bought. Online campaigns or sweepstakes can be tied to product placement programs. How it is measured “First we measure gross impressions, depending on integration of the product,” says Severine Lauber, PREVA Media's director of media analysis. “There are nine categories to gauge it.” The recall process uses the total projected audience of the program weighted by the average recall rate in order to determine the effective audience. The effective audience is then factored by the Value Per Thousand Contacts (VPM) resulting in the effective media value (EMV). The GRP Projection method allows for a more straightforward comparison with traditional media for advertisers who prefer it. “There’s a higher recall rate when the main character picks up a product than if it’s in the background and maybe can only be seen once,” Doss says. What product categories do well Identifiable brands are easier to place than esoteric items, Doss says. Small products, like watches, are difficult to place unless a close-up camera shot is part of the deal. Beer and spirits generally aren’t featured. Demographics Factors that can’t be controlled but can often be predicted are the delivery, when and how often a video will be aired, and if it will catch on and become popular globally. Making the buy Who’s already embedding in music videos What they’re saying Web site info Etc.
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