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| TV Preview | |
fashionably on target This new CW show aims squarely for young women Oct 22, 2008
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Synopsis Eleven contestants serve as assistants to Anne Slowey, fashion news director at Elle magazine, performing go-fer tasks such as bringing Slowey coffee but also more meaningful work on editorial projects. Each week a contestant is eliminated, and the last one standing wins a junior editor’s job at Elle, as well as a Manhattan apartment rent-free for a year and a $100,000 clothing allowance. Expect lots of cattiness and vamping along the way.
Outlook Its one worry is that it could be too niche. Yes, it's very much like “Top Model” and to some degree Bravo’s “Project Runway” in concept: Young women compete for fame in the fashion industry. Another strength is that “Stylista” is from the producers of “America’s Next Top Model,” Tyra Banks and Ken Mok. If the series fails, it won’t be because of poor production quality. Also working for “Stylista” is its Wednesday 9 p.m. timeslot, leading out of “Top Model,” which, while fading some, still performs solidly among the CW’s target audience. And however “Stylista” does in the ratings, it ought to top what it replaces. A repeat of “90210” last week drew a 1.0 overnight rating among women 18-34, down 57 percent from a 2.3 for "Model."
The buzz “It fits in well with CW’s core demo, like the ‘Gossip Girl’ and ‘Top Model’-type shows,” says Karen McCallum, media director at Esparza Advertising in Albuquerque, N.M. She thinks it should do well. “It could have a devoted cult following that never misses an episode and knows the cast as if they’re their next-door neighbors,” says McCallum.
What critics are saying “Overall, the show isn’t entirely devoid of joy since it does take place in such a colorful, high-energy industry, and it naturally pairs well with ‘Top Model.’ But like any fledgling fashionista, ‘Stylista’ still has to discover and embrace its own personal style.” – Hanh Nguyen, Zap2It.com “Eight minutes is about twice as much as I had seen of ‘Stylista’ before I knew that I didn’t just hate it but wished slow, agonizing deaths on everybody involved. Believe me, I wanted to turn it off. I didn’t, because...Well, I don’t know, exactly.” – Glenn Garvin, Miami Herald
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