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Kapow! Wham!
Boff! What a summer.


Batman and his comic book ilk buoyed box offices

Sep 2, 2008

In hard times, the mighty flex their muscles and get to work, and they did just that this summer.

Thanks to Batman, Iron Man, the Incredible Hulk and three of their kin, America's movie theaters were busy over these warm months, despite the sagging economy, rising gas prices and a general gloominess over where many believe America is headed.

Consumers escaped to the bijou and got what they came for.

Indeed, when this summer rolled around, it was hard to imagine that the box office could muster anything close to the record-breaking results of summer 2007.

And yet it has come surprisingly close. Although attendance is down a fair bit on last year, about 3.5 percent, higher ticket prices mean that the domestic box office receipts are actually expected to reach $4.13 billion, just slightly below last year’s $4.16 billion, according to box office tracker Exhibitor Relations.

This strong performance is thanks in no small part to the American comic book and its more adult offshoot, the graphic novel. "The Dark Knight,” the umpteenth Batman movie and starring Christian Bale as the Caped Crusader, managed to do what only one other movie, "Titanic," has ever done: gross over half $1 billion domestically.

All told there were six comic book or graphic novel adaptations, including the summer’s No. 2 movie, “Iron Man.” That’s more than ever before. Together these movies grossed $1.4 billion, or one third of the summer's total, according to Exhibitor Relations, easily trumping the $1.3 billion in ticket sales for the summer’s eight sequels.

More will come.

“Over the next two to three years you are going to see a ton of these movies starting to come out, especially after the success of 'The Dark Knight,’” says Josh Flanagan, founder of iFanboy.com, a comic review and community site.

Just why is not all that surprising.

For one, the comic book genre has been underexploited, as compared to say romantic comedy or mystery, once you get beyond Batman and Superman. Yet there are scads more such characters and more are being created each year with the explosive growth of the graphic novel.

Too, the stories run along grand themes such as good versus evil, making them great escapist entertainment in a time when news of the real world mostly invokes an urge to escape.

They also lend themselves to special effects, the one area where movie theaters beat television hands down.

In fact, the comic book adaptations have been so successful that Warner Bros. intends to make fewer movies but more of the expensive variety. Comic books adaptations will be a central part of the plan.

Even Tom Cruise is getting in on the action. Cruise is said to be discussing a major role in “Sleeper,” an adaptation of a comic from DC imprint Wildstorm, to be directed by Sam Raimi, director of "Spider-Man."

The list of adaptations due out this year alone includes “Punisher: War Zone,” the sequel to the 2004 movie, due to appear on screens Dec. 5, and “The Spirit,” by Frank Miller, creator of “Sin City.” Next year, watch for “Watchmen,” which is expected out in March.

Directed by Zack Snyder, "Watchmen” is based on the 1986 comic book later published as a graphic novel by Alan Moore. The book helped to bring huge changes to the genre, adding a level of maturity. It pushed the genre to a darker, grittier level, and one where superheroes were put in the context of the real world.

“That is widely considered to be the greatest comic book or graphic novel ever done,” says Flanagan. “It is 'The Godfather' of comic books.”

“Batman: The Dark Knight Returns,” the comic book series by Miller, followed soon after, as a darker take on the original comic book series from the 1930s.

“The dark period is still going on. Those two works really changed things a lot,” says Flanagan. It is also coming through in a movie like “The Dark Knight.”

Another notable due out in 2009 is “Scott Pilgrim vs. the World,” directed by Edgar Wright, which has the potential to catch on, believes Flanagan. And “X-Men Origins: Wolverine” will arrive in theaters May 1.

As studios rush to bring out these adaptations, the question is, will the interest last? Flanagan thinks so, although the superhero side could ultimately lose some steam, and other types of graphic novel adaptations take off.

“The comic book is not a genre but rather a medium. So it is like saying that people will tire of movies adapted from books. That would never happen,” says Flanagan.

And now a lighter note.

Ever wondered whether Batman preferred to hit his on-screen adversaries with a kapow, a biff or a wham? Or maybe it was an urkk or a thwacke? Well, the truth is out there.

Back in the 1960s, during a particularly campy era in television, one show built around Batman and sidekick Robin came up with a clever device. Every time the Caped Crusader duked it out in his TV show, a graphic card with a single word flashed up.

All these years later, a fan site, batmania.com, has actually gone back and counted all the cards to learn which words Batman most favored over the life of the series. 

At No. 1 was kapow!, with 50 occurrences, followed by pow!!, 49; boff!, 43; and zap!!, 42. In all, "Batman's" creators came up with 83 different words to capture the sound of someone getting a poke from the Caped Crusader.

Also used, but only once each, were zgruppp! and whack-eth!

***

Meanwhile, elsewhere in popcult, the comedy “Tropic Thunder” was No. 1 at the box office over the weekend for the third straight week, bringing in another$11.5 million. “Babylon A.D.” debuted at No. 2 with $9.7 million in ticket sales.
 
In DVD rentals for the week ended Aug. 24, according to IMDb.com, two debuts topped the list, “Street Kings” at No. 1 and “Prom Night” at No. 2.
 
On iTunes yesterday morning, T.I.’s “Whatever You Like” was No. 1 for the second straight week, followed again by “So What” by Pink.
 
And in books, Stephanie Meyer’s “Breaking Dawn,” “Twilight,” “New Moon” and “Eclipse” made up the top four titles on USA Today’s book chart for the week ended Aug. 24, while another of her titles, “The Host,” was No. 5 on The New York Times’ hardcover fiction best-sellers list for the week ended Aug. 23.

TOP MOVIES
Weekend Box Office Estimates
Weekend of Aug. 29-31, 2008

Rank

MOVIE

Engagements

Box office (millions)

1

Tropic Thunder (DreamWorks)

3,473

$11.50

2

Babylon A.D. (Fox)

3,390

$9.70

3

The Dark Knight (Warner Bros.)

2,750

$8.75

4

The House Bunny (Sony)

2,714

$8.30

5

Traitor (Overture)

2,054

$7.90

6

Death Race (Universal)

2,537

$6.23

7

Disaster Movie (Lionsgate)

2,642

$6.17

8

Mamma Mia! (Universal)

1,968

$4.42

9

Pineapple Express (Sony)

2,047

$3.39

10

Vicky Cristina Barcelona (MGM)

692

$3.00

Source: Yahoo Movies

  

IMDb TOP DVD RENTALS
Week ending August 24, 2008

Rank

TITLE

Last week

1

Street Kings

-

2

Prom Night

-

3

21

3

4

Smart People

2

5

The Scorpion King 2: Rise of a Warrior

-

6

Nim’s Island

1

7

Miss Pettigrew Lives for a Day

-

8

Harold & Kumar Escape from Guantanamo Bay

4

9

The Art of War II: Betrayal

6

10

The Bank Job

5

Source: IMDB

 

ITUNES TOP 8 SONG DOWNLOADS
for week ended Monday, Sept. 1, 2008

Rank

TITLE

1

Whatever You Like, T.I.

2

So What, Pink

3

Disturbia, Rihanna

4

I’m Yours, Jason Mraz

5

Paper Planes, M.I.A.

6

Hot N Cold, Katy Perry

7

When I Grow Up, The Pussycat Dolls

8

Viva la Vida, Coldplay

Source: iTunes

 

NEW YORK TIMES BESTSELLING BOOKS
Week ending August 23, 2008

Fiction (hardback)

Rank

TITLE

Last week

Weeks on chart

1

The Force Unleashed by Sean Williams

-

1

2

Smoke Screen by Sandra Brown

1

2

3

The Guernsey Literacy and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows

4

4

4

The Bourne Sanction by Eric Van Lustbader

2

4

5

The Host by Stephanie Meyer

6

16

Nonfiction (hardback)

1

The Obama Nation by Jerome R. Corsi

1

4

2

Stori Telling by Tori Spelling with Hilary Liftin

2

13

3

Are You There Vodka? It’s Me, Chelsea by Chelsea Handler

4

18

4

The Limits of Power by Andrew Bacevich

9

2

5

When You Are Engulfed in Flames by David Sedaris

5

12

Fiction (paperback)

1

The Shack by William P. Young

1

14

2

The Secret Life of Bees by Sue Monk Kidd

-

10

3

The Choice by Nicholas Sparks

-

1

4

Barefoot by Elin Hilderbrand

2

11

5

The Kite Runner by Khaled Hosseini

4

51

Nonfiction (paperback)

1

Three Cups of Tea by Greg Mortenson and David Oliver Relin

1

82

2

A Long Way Gone by Ishmael Beah

2

3

3

Eat, Pray, Love by Elizabeth Gilbert

3

83

4

The Gift of Fear by Gavin de Becker

-

8

5

The Glass Castle by Jeannette Walls

-

133

Source: New York Times

 

USA TODAY BESTSELLING BOOKS
Week ending August 24, 2008

Rank

TITLE

Last week

1

Breaking Dawn by Stephanie Meyer

1

2

Twilight by Stephanie Meyer

2

3

New Moon by Stephanie Meyer

3

4

Eclipse by Stephanie Meyer

5

5

The Shack by William P. Young

6

6

The Last Lecture by Randy Rausch and Jeffrey Zazlow

4

7

Playing For Pizza by John Grisham

7

8

Nights in Rodanthe by Nicholas Sparks

9

9

You’ve Been Warned by James Patterson and Howard Roughan

10

10

The Choice by Nicholas Sparks

-

Source: USA Today

 

 



Heidi Dawley is a staff writer for Media Life.




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