When Viacom promised to launch a gay cable
network last year, it was hardly a surprise. The media giant had been
mulling the idea for years yet never seemed to find the right time. With
gay marriage in the news and Bravo's "Queer Eye" guys all over
TV, Viacom finally committed. On Thursday, after a four-month delay to
chase more subscribers, MTV Networks' Logo will launch with 10 million
potential viewers. The new channel will feature mostly gay-themed movies,
with originals such as wedding makeover show "Love Comes First"
and the documentary "The Evolution Will Be Televised" filling
out the schedule. Though it certainly seems like the right time for such a
launch, there are still a lot of questions surrounding it. Are advertisers
interested in gay media? Will the network have heterosexual crossover
appeal? Has gay media gone mainstream? Media Life speaks with Howard
Buford, founder and president of multicultural ad agency Prime Access, for
some answers.
When
will gay media become mainstream? Or have we already reached that point?
If
you’re talking about gay-targeted vehicles, by definition they don’t
become mainstream. If it’s really gay media it’s going to retain a
lesbian and gay sensibility. For example, Ebony magazine, even after 60
years, isn’t a mainstream publication. It retains an African American
sensibility.
Thirty years ago most media, especially television, was
indeed mainstream. But it’s much more fragmented now, largely because of
technology. As a result, you get more and more targeted media, so there
are 24-hour channels about food, weather, gardening, etc. The rule now is
for media to have a specific target audience.
One of the issues for Logo, and one of the goals it should
have, is to become part of mainstream media buying.
When advertisers want to reach the general market, now Ebony or Essence is
part of that buy, but 20 years ago they were considered a niche buy. If
you want to have a general market appeal in 2005, you have to include
them.
Logo’s challenge is to get media buyers to consider the gay
audience as part of their ongoing general audience and to place
advertising on Logo as part of that general market outreach. This, as
opposed to thinking of it as “only if we want to reach gays and
lesbians.”
What
kind of viewership outside the gay community does a network like Logo
expect to get? Does it make sense to market to straight people, since
it’s assumed that it will get a fair amount of sampling from gays?
I
can’t say what Logo expects because I’m not a Logo employee, but from
my perspective, upon launch there will likely be a strong curiosity
factor outside the lesbian and gay community to see Logo.
There’s
certainly a large curiosity factor among the gay community itself. I
don’t think it makes sense to market it directly to straights.
I think the real mission is to make Logo a viewing
destination for the gay community. At launch, Logo should play very
strongly to a broad lesbian and gay audience. It’s going to take some
work to make it a gay destination on TV. I would doubt that there would be
a significant effort marketing it to straights.
We’ve
obviously seen the crossover appeal of gay-themed shows like “Will &
Grace” and “Queer Eye.” What types of gay-themed shows do best among
a broader audience? Are they the same shows that appeal to gays?
Those
are shows that capture universal human themes and interests, shows where
many sub-audiences can relate to the storyline.
A story well told appeals
to a broad audience. On the surface it may be a gay story, or a Latino
story, or a war story, but if it captures human imagination, it appeals to
larger audiences. The movie "Ray" is a good example.
And stories with gay themes consistently appeal strongly to a
gay audience. Many of the films Logo has acquired feature gay characters,
etc., but many of them are some of the most popular films released in the
last 20 years, for example, “In and Out” with Kevin Klein and Tom
Selleck.
It was blockbuster hit in the theaters because the comedy reached
out to a much broader audience. There are a number of properties like that
that a channel like Logo has access to.
The other side is that there will be many independent films
that will appeal to gay men and lesbians but won’t appeal to larger
audiences. Showing these films is
one of the real roles of Logo, because there is no other reliable place to
see these movies in a consistent way. That will be one of the benefits of
Logo to a gay and lesbian audience.
How
do advertisers view a channel like Logo these days? Have gays become a
more popular target group in general for advertisers? Are there still many
advertisers reluctant to associate with a gay media outlet?
A
number of advertisers are excited about the debut of Logo. There have been
limited ways to reach large numbers of lesbian and gay consumers without
having to also pay to reach large numbers of non-gay consumers. It’s the
first efficient television buy for reaching a GLBT audience.
Separately, research shows that the GLBT audience responds
twice as well to advertising specifically created for them than to general
market advertising, even if it’s placed within gay media.
This allows
advertisers to create gay-specific advertising and reach a significant
audience of gay men and lesbians without a lot of spillover or waste. For
marketers who’ve been committed to the GLBT market for several years
now, this is a very important development.
Lesbian and gay consumers are an especially popular target
for financial services, travel services, automobiles, fashion and
entertainment. I would expect to see those categories well-represented on
Logo, because they currently are in lesbian and gay magazines. However,
there will still be some individual advertisers who may be reluctant to
target gay consumers or place advertising in gay media. Lost sales and
shrinking market share often change their mind.
What type
of response to the network will marketers and the general public have?
Several
marketers have committed up front to advertising on Logo. Most of our
clients at Prime Access are Fortune 500 companies, and the majority of
those tend to take a “wait and see” attitude toward any new media.
They want to see what the content will be, what the ratings will be. Many
will take that stance. Those who’ve had success in the gay market will
likely advertise on Logo from the very beginning.
There’s an advantage to being the first mover here.
Advertisers from the launch will be remembered and will likely have to
face less clutter than those coming in 3-6 months later.
Separately, I can’t really say how the general public will
respond to the channel. In many ways it’s not a relevant question in
that when Spike TV launched, no one really asked “how will the general
public respond?” It assumes there’s some issue underlying this, and
admittedly there is, more so than for most other channels. But like any
channel, if you don’t like it, you don’t have to watch it.
Why is
there a need for Logo? What can gay viewers find on a gay-focused network
that they can’t find elsewhere?
Again,
technology allows us to have a thousand channels or more. The real
question is how could there not
be a Logo? When you look at the narrow programming that other channels
offer, the real question is, how have we gone this long without a channel
like Logo?
In aiming to be the destination channel for gays and
lesbians, Logo will have to offer a consistently authentic lesbian and gay
sensibility to its content. There is no 24-hour network that is dedicated
to a consistently authentic gay and lesbian sensibility throughout its
content choices and editorials, and that’s what will really set the
channel apart from the rest of the spectrum.
Will Logo,
backed as it is by a media giant like Viacom, spark other new gay-themed
media outlets?
My
guess is there will be a big “wait and see” attitude. People will want
to look at the rollout and acceptance of Logo, and the growth of its
viewing audience before initiating new gay-themed outlets. Logo, as the
first 24-hour digital cable network targeted at gays and lesbians, will
seek to position itself as a touch point for the entire gay community. Any
gay themed networks launching after it will likely have to segment the gay
audience and appeal to a certain sub-group of the gay community to make
itself viable.
An
on-demand gay network already has launched, and there have been gay
newspapers and magazines for years. Will we hit a saturation point with
gay media, or is this only a beginning?
Consumers
will be the judge of that. Understanding how capitalism works, we will
reach a saturation point, but there are still many challenges. One is, if
you look at the circulation of the national magazines, they tend to be
small; there’s still the challenge to significantly increase readership
of national gay publications.
On the other hand, there are local gay newspapers that are
very well-read in their cities. If you combine their reach, their
circulations are significantly higher than the national pubs. Currently
the highest-reach medium for the GLBT community is the web, dominated by
planetout.com and gay.com, with other significant sites as well.
How
much do you think media coverage of the Logo launch will help the
network’s initial ratings?
Media
coverage of a launch always helps viewership. The key objective is to
generate trial among your target audience, and certainly media coverage
goes a long way toward promoting that. After the launch, the real question
is what kind of repeat viewership will it sustain?
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